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・ Pushka
・ Pushkalavati
・ Pushkar
・ Push Comes to Shove
・ Push Comes to Shove (album)
・ Push dagger
・ Push Down
・ Push Eject
・ Push email
・ Push for Coin
・ Push Girls
・ Push in the back
・ Push Interactions
・ PuSh International Performing Arts Festival
・ Push It
Push It (Garbage song)
・ Push It (Rick Ross song)
・ Push It (Salt-n-Pepa song)
・ Push It (Static-X song)
・ Push It Baby
・ Push It to the Limit
・ Push It to the Limit (Corbin Bleu song)
・ Push Kashan
・ Push moraine
・ Push not the River
・ Push of pike
・ Push out test
・ Push Panic
・ Push penny
・ Push pin (disambiguation)


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Push It (Garbage song) : ウィキペディア英語版
Push It (Garbage song)

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"Push It" is a 1998 song written, produced and performed by alternative rock group Garbage. "Push It" was the lead single released from their second album ''Version 2.0''. Manson elaborated on the song's dreamy verse structure versus the confrontational chorus: "(about ) the schizophrenia that exists when you try to reconcile your desires and demons with the need to fit in. It's a song of reassurance".〔
The cutting edge music video for "Push It" became critically acclaimed, and received thirteen nominations between the MTV Video Music Awards,〔(【引用サイトリンク】 title=Garbage Grabs A Donut At VMAs Despite Eight Nominations )MTV Europe Music Awards, and the MVPA Music Video Awards.〔(【引用サイトリンク】title=The Eye: Garbage, Busta, Squarepusher Among Nominees For Mvpa Awards )〕 "Push It" was also nominated as Best Alternative Records at the Miami Winter Music Conference.〔
In 2007, "Push It" was remastered for inclusion on Garbage's greatest hits album ''Absolute Garbage''. Some elements of the remaster were made more noticeable, while some elements were reduced or edited out.〔(【引用サイトリンク】title=Absolute Garbage remasters )〕 A rock version was also serviced to UK radio stations to promote the compilation.
==Writing and production==

Garbage began writing for their second album at the start of March 1997 at a vacation house in Friday Harbor, Washington. There, the group demoed and made rough outlines for new songs over a three-week period.〔 When they that felt they had made a good start, they relocated to their Madison, Wisconsin, base at Smart Studios and began fleshing out the ideas and rough sketches that were made over the rest of the year. The group recorded all of the material for the second album through a 48-track digital system direct to hard drives utilizing a 24-bit Pro Tools rig. Vocalist Shirley Manson wrote the majority of her lyrics while ensconced in a hotel near the studio.〔 Garbage completed recording, producing and mixing of their second album in mid-February 1998, and the album was given the title ''Version 2.0''.
During a vocal tracking session in which Manson was singing over music already written for "Push It", the band felt that one of the lines in "Push It" would benefit from having a vocal chorus answering the words back to her. Inspired by Manson's spontaneous ad-lib of the phrase "don't worry baby" over the music, guitarist Steve Marker sampled the Beach Boys song "Don't Worry Baby" and used it as a backing vocal. The sample didn't work with what the band had already recorded so Manson re-sang the lines to fit the key and tempo of the song. Aware of the potential for incurring copyright legalities, the band debated whether or not to keep the line. Garbage and Brian Wilson coincidentally shared the same publishing company (Irving Music), and figuring that they had nothing to lose, contacted him through their company representative, sent him a copy of "Push It", and asked him for permission to use the interpolation. Wilson gave his blessing, and reportedly kept the tape. Both Wilson and Roger Christian, the deceased co-writer of "Don't Worry Baby", received a writing credit.〔 A simpler interpolation credit was given to Herbie Azor, as the band's lawyers felt that there was a possible similarity of the line "Push it!" to his own "Push It", which had been a hit single for New York hip hop trio Salt-N-Pepa.〔
At the end of the middle 8, Garbage had originally recorded a drum fill to lead back into the final chorus, but decided to develop a suspenseful bridge back into the final part. The band used a number of pitch-shifting and time-stretching plugins and matched them with an orchestral swell in an ascending chromatic scale sampled from a classical music album. The new part had been influenced by The Beatles "A Day in the Life", and the group decided to keep it when Manson encouraged them to.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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